Environmentalism at World Wide Art Los Angeles through Claus Larsen.

WWALA Exhibitor Claus Larsen exhibiting with Just Art Gallery speaks on the Environment.

United Colors

An important and changing moment occurred in the consciousness of the world regarding environmental risks when the first energy crisis evolved in the 70′s, when for the first time world-wide, people realized that the resources of the planet were limited. Similar to a limiting reagent in a chemical reaction, pollution and environmental health just became the limiting reagent to human life on earth.

A vast opinionated movement came about, initially in California, labeling the movement ecology. It was the idea of a new relationship of harmony between man and nature, which sent into substantial crisis the idea of progress without limits. It was in this phase that the critical debate began, to progressively move from the circumscribed problem to the correlations with the system of galleries and museums, to the somewhat more complex theme of the relationship between art and nature.

Climatic change is already so evident, that the contamination of the ground, of the air, the deforestation and depletion of the plant and animal diversity as well as the pollution of the deep layers of the seas and oceans are the neon signs that the crisis is well underway.

The global ecological crisis is known as the manifestation of a vaster crisis, that of a cognitive and social nature or, an ecology of the mind, that occurred well before that of the environment.

My works suggest many levels of interpretation where nature and the collective memory comprise fundamental points of reference. The vivid and brilliant colors of my works help create a painting of the highest definition (long before High Def Television), made of optical illusions and traps for the eye. My approach to painting is typical of the humanist except one with a scientific background breaking away from the optical chemistry while integrating the knowledge of art history yet utterly contemporary. A careful reading of the paintings takes the spectator through the muddle of aesthetic transfiguration and the tight weave of optical illusions, towards a larger more encompassing environmental knowledge and awareness.

VIP opening Thursday October 16th 5-10pm. Email us for tickets.  Show opens to the general public on Friday October 17th – 19th 10-7pm.

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Old World Charm and Contemporary Art

   10209-Old-World-Charm-2Just Art Gallery made it to the news stands with Art New England (September/October Issue), the Providence Monthly and East Side Monthly (http://www.providenceonline.com/stories/Just-Art-Contemporary-Gallery-Italian-art-Providence-East-Side-Monthly,9646).

ProvMontly

Our space is a casually elegant maze with over 400 linear feet of display space. The artwork is owned outright demonstrating the strength of our conviction in the works we sell and artists we represent. In today’s society, very few things are purchased to last a lifetime art however, is.

Think about a new car; you spend a fortune to get it off the lot and as soon as you drive off the lot it depreciates. As the years and miles accumulate, the value declines. You spend money to repair it, to insure it, to feed it and when you go to bed at night, it sleeps elsewhere. So what is the point of a car except to get from point A to B? It should only be that, a means to get to where we need to go, cheaply and safely versus a status symbol that sits in a garage or is only enjoyable as long as you can keep fuel in it and when driven to and from work. loggiatouffizi

Art on the other hand, lives and breathes with you, in the environment where one resides and for the lucky and smart ones, where they work. So few things are purchased for the significance beyond our lifetime. Why not leave art to one’s children, something that says so much more than just physical money? Buying art does not mean you need an education, it means you need a feeling. If the work talks to you, speaks to something inside then that is the piece for you. How and where do you start? By trusting in galleries who put their money where their mouth is. People who are experts in the works they sell and who invest in the works and artists they represent. embrace

Just Art Gallery has risked its own capital and is the leader in imported Italian Contemporary art today. Our focus and specialty is unique and brings to American soil, artworks, talent and fresh images rooted in antiquity. Just think, you do not have to go to Europe to “feel” the strength and history among the old streets of the Old World but you can feel that through these works of art. Upon stepping in to the gallery, one feels immediately the sensation of art beyond the realm of America.

We are upfront about the pieces and will tell you the flaws because art is not perfect it just “is.” We are honest about the works and today that goes along way in a world full of tricksters. We love Italy, we love art and we love to talk about what we have. Make our space your destination where you can come and not be pressured to purchase. PlantOld

Go to our website to request our mailing list, check out our online store for some of our catalogs and if you wish to see works via email from some of our artists, just ask and we will be happy to send them. If you live outside Rhode Island, consider a B&B weekend in this lovely state and take your time to enjoy the “scrappy” kind of old world charm The Plant provides along with three art galleries and the Cuban Revolution Restaurant. This is where you will find people who have settled in Rhode Island after living in New York or Europe running world-class galleries and proposing real life topical issues along with our gallery’s centric Contemporary Italian and European art. OLYMPUS DIGITAL CAMERAtheplant1

From Points North
Take Interstate 95 South into Providence. Take Exit 21 – Atwells Avenue. Turn right onto Atwells Avenue and continue straight 1 mile. The Eagle Square Shopping Center will be on your right. Turn left at the light on Valley Street. The Plant is 1/2 mile on your right at the corner of Valley and Delaine Streets. To park, take left at 4-way stop to Delanie Street. Take first right into parking lot. To enter the building, cross the street, through the arch, proceed up the ramp, there is a intercom on your left. Dial “852” to be buzzed into the building. We are in Unit 25 on the third floor at the end of the long hallway.

From Points East
Take Interstate 195 West to Interstate 95 North. Take Exit 21 – Broadway. Take the second left off the service road onto Atwells Avenue and continue straight for 1 mile. The Eagle Square Shopping Center will be on your right. turn left at light onto Valley Street. The Plant is 1/2 mile on your right at the corner of Valley and Delaine Streets. To park, take right at 4-way stop to Delanie Street. Take left at 4-way stop to Delanie Street. Take first right into parking lot. To enter the building, cross the street, through the arch, proceed up the ramp, there is a intercom on your left. Dial “852” to be buzzed into the building. We are in Unit 25 on the third floor at the end of the long hallway.

From Points South
Take Interstate 95 North. Take Exit 10 North – Cranston. Take Olneyville Square Exit. Take a left at light onto Westminster. Bear right at Olneyville Square onto Valley (there is no sign, Bank of America will be to your left when you turn onto Valley). The Plant is less than 1/4 mile ahead on your left at the corners of Valley and Delaine Streets. To park, take right at 4-way stop to Delanie Street. Take first right into parking lot. To enter the building, cross the street, through the arch, proceed up the ramp, there is a intercom on your left. Dial “852” to be buzzed into the building. We are in Unit 25 on the third floor at the end of the long hallway.

From Points West
Take Route 6 East towards Providence. Take left exit toward Broadway/Route 10 North. Turn left onto Broadway. After 1/8 mile, turn right onto Valley Street (there is no sign, Bank of America will be to your left when you turn onto Valley). The Plant is less than 1/4 mile ahead on your left at the corner of Valley and Delaine Streets. To park, take right at 4-way stop to Delanie Street. Take first right into parking lot. To enter the building, cross the street, through the arch, proceed up the ramp, there is a intercom on your left. Dial “852” to be buzzed into the building. We are in Unit 25 on the third floor at the end of the long hallway.

Please note: Visitor parking is available across the street, entrance on Delaine St. between Valley Street and Harris Ave., across from the Plant and The Cuban Revolution restaurant.

The Changing Tide of Art is not Capricious.

There is no better way to escape the world than through art and yet, it is the most secure and strongest link to our world.

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Aubertin

Today’s art world is a captivating subject in fact, every single day there is something new to learn or discover. Auction houses are testimony, along with the persistent number of galleries doing business worldwide, to the current successful art market.

Global auctions welcomed bidders from 136 countries highlighting the international appeal of art. 19% of registered bidders were new clients. Christies has had record results in the past three years demonstrating that more people in more places in the world are captivated by art and seeking to acquire it. This trend is apparent at every level of the art market from £1,000 to over £50 million. Noting the top auction house sales figures, the Contemporary European art market continues to appreciate due to global demand.

Accessible Art is the latest trend in the art world. This means opening the world art market to emerging young artists, which allows them to sell their works at accessible prices. This movement continues to benefit Contemporary art in terms of audience because art is now more accessible to a public that might not have an art degree or be a collector. Thus, they do not have to be versed in the genre, but they can nevertheless enjoy the expansion and production of art.

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Isgrò

In Europe and the world, art has crossed many different periods made of evolutions and of involutions, through which artists and their works become the expression of the times. Contemporary art has seen the birth of innovative movements and revolutionary ones such as Cubism. Therefore it is in contemporaneity where traditional representation of subjects and objects rests; bodies deform, lines break and figures are upside down in a general distortion of colors and light reflecting new contemporary society.

This contemporary world is one twisted by war, where the spirit of humanity has become disturbed; it is anxious thanks to the violent and sudden wars leaving no means of escape. Guernica by Picasso was probably the ultimate symbol of how to make art in a contemporary environment. It is an enormous canvas painted exclusively in black and white, with a few grey veins drenched in gloomy and decisive colors like those portraying the cities in the daily black and white newspaper images. Spades, dead babies and screaming mothers are only a few of the depictions alternating on the masterpiece of Picasso, symbol of a disarmed and anguished contemporaneity that nonetheless shows a hopefulness (the light placed high on the canvas), in returning to a semblance of normalcy.

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During the twentieth century, the communicative and creative visual arts undergo an expansion. For example, in the Sixties and Seventies, Duchamp conceived the ready-made; installations, Land Art, happenings, Body Art, video and photography were some of the media used by these artists. At this point, the painting died a loud and gripping death. Recently however, painting has been exhumed and is making a great comeback, in fact its prestige has been restored worldwide thorough collectors and institutions. We saw towards the end of 2002 the Centre Pompidou in France who presented Cher Peintre, Lieber Maler (Figurative Painting since the last Picabia) and now a decade later, abstract works are coming back as well.

Charles Saatchi presented in London between 2004 and 2005, a series of three shows called The Triumph of Painting. In 2007, MOMA investigated the place of painting in contemporary art from the Sixties to the present with the exhibition ”What is Painting?” If we look at this multimedia era, it would seem that painting has nothing more to say, yet the question “why painting now,” seems to be the topic of conversation everywhere and artists worldwide have returned to the ancient form of communication.

It seems, the return to painting, has come about from an opposition to digital art and the explosion of computer screens. Today, painting has been and is being demonstrated, similar to writing, as one of the long-lasting and vital means of expression. Is painting that timeless vehicle through which real contact with the world is possible? It would seem to be.

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Constellations by Riccardo Gusmaroli

In fact, there is a return to contemporary abstract painting now a decade later after the return to figurative works within this whole movement of returning to painting. The communistic ideal of anti-representation or anti-establishment has disappeared. The modern abstract paintings of the Thirties and Forties, minimalism of the Sixties and Seventies and the neo-abstraction of the Eighties are long gone. Art fairs are full of abstract works on the walls, bursting with painting.

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Fori, by Riccardo Gusmaroli

Abstract works tend to reflect and or form an image of how the world feels. It too is simply a reaction against technology. Living in this world full of computer screens has created a lack of objects. Furthermore, real pigments used to mix oils and acrylics are extremely different from what comes out of an inkjet printer or through pixels on a screen. There is that special something, in material realness that paintings bring to the forefront and, the use of texture is an antidote to the total lack of texture of our society today.

The new generations of painters are emphasizing the method not the result, the journey being more important than the end. How the work is made seems to be the whole point of the work and the fascination with materials almost borders on fetishism.

As Jackson Pollock said, “modern art is none other than the expression of the ideals of the epoch in which we live.”

Studies Abroad

ImageThursday the 16th is Gallery Night. We are replacing the conceptual and abstract works with figurative works and these will be available for two weeks when we will be again changing the exhibit to display the latest works from Luciano Bellet arriving this week.

The links below go along with our focus and goal of fostering art abroad and that means both ways, from the US to Italy and from Europe to the United States. In fact, we are organizing for next summer a few art studies here in Providence with visiting artists from Italy so stay tuned.

http://www.acadweb.wwu.edu/eesp/template/studyabroad/home_italy.shtml and this is another link to art studies in Florence. http://santareparata.org/

One of the reasons we believe studies abroad are crucial to artistic development is for the same reason we chose Italian art, the fact that historically, Italy has contributed so much to the European art world and consequently to the world. Living abroad for just a few months is not enough time for one to absorb and immerse oneself into the minutiae of all the art contained not just in museums but also on the streets of all of Europe. Every building and corner and door is a work of art and finding a way to give the brain an overload of everything that inspired our ancestors is crucial to becoming the artist that lies within. “One must un-learn in order to make room for the poetry, that works of art were just a sum of errors.” Riccardo Schweizer

Lest we not forget, that an education is one thing but, an education obtained via museums, travels and living in Europe and abroad will stimulate the artist to un-learn, leaving room for the expression within.